“Old, rare, analog
ok, who cares? There’s lots of old rare analog gear floating around these days. Why should a Synthex stand out? After all, it’s not made by Moog, ARP, or Roland. What’s the big deal anyway?
Fans of Jean Michel Jarre can sit down – you know one answer. Fans of great analog chorus circuits can sit down, you know another answer. Fans of big beefy polysynths with multi-mode filters (rarer than hen’s teeth) can sit down, you know yet another answer.
In my opinion (whatever that’s worth plus the fact I’m actually selling this guy), the Synthex is the best sounding analog polysynth ever made. I’ve owned them all – MemoryMoog, CS-80, Jupiter-8, Matrix 12, Chroma, the list goes on. When I cut my studio down to the bare bones, this Synthex survived the cut. I’ve changed my direction and decided that it was time to sell this one.
As a side note – I’ve owned a few Synthexes over the years and this one always sounded better than the others. I’m not sure if this is a prototype or just an early production run, but it certainly differs from the standard production models you’ve seen for sale in the past. The circuit boards inside have some differences, the casing is certainly different – no stand mounts, the bottom is the same wood as the side panels, no serial number plate, and slight differences in the front panel lettering.
To keep this Synthex running for the next 20 years, I recapped all the circuit boards and the power supply. It’s nice and stable and sounding like it did 25 years ago. I checked all the switches and had to replace 1 that was acting up. I saved the original, so if you have a desire to refurb the original switch and put it back in, you can.
The Synthex runs on 230 volts, and I have a step up transformer included if you happen to live in a 120 volt country (like the US). I also have the owners manual and service manual and a few extra switches if you ever need them.
Take a look at the pictures and decide if this Synthex is for you. I hate to bring up the craziness that seems to be happening with analog synth prices, but for better or worse, these things seem to be appreciating faster and faster as time goes on. You only have to look at the CS-80 and Jupiter-8 prices to know what I mean.
I will ship worlwide, but know that the Synthex is a big and heavy beast. I will pack it well for travelling, but since I have no control over how well it is handled, I have to say this sale is ‘as-is’. If you want to drive and pick it up, that would be great too. The Synthex is currently working 100% and I did a basic calibration on it before I closed the lid. It is sounding awesome and is ready for you to play.
Still more about the Synthex – I know by now all you guys that read these ads (any girls look at this stuff?) understand that Google is your friend and you can find tons of cool information and videos and audio clips on the web about pretty much anything ever made, right? However, I wanted to take a couple minutes to point out some features that might not be immediately obvious.
The left side has a couple nice features – the joystick and 6 sliders make it easy to route modulation to the oscillators, filter, and to do pitch bending. Being a joystick, you can push it diagonally to get more complex modulations happening and the sliders are a quick and easy visual reference for the amount of modulation being applied. The LFO section actually has 2 separate routings with separately adjustable depth for each path. This makes it easy to get a light filter mod happening while you also have a deeper pulse width modulation going at the same time.
The filter has been much talked about. True, useful multimode filters in analog polysynths are rare. Many synths will give you a good low pass filter with resonance and then throw in a mostly useless high pass filter as well (or sometimes not even that). A lot of the coolest Synthex sounds come from using the high pass or band pass filters with resonance and some modulation. That creates sounds that you simply can’t get on any other polysynth, classic or modern.
The chorus. Ahh, the chorus. Sometimes I feel guilty about leaving some level of chorus on most of the time. The Synthex sounds so good without the chorus, but when you turn it on, it takes it to another level. Pure buttery bigness. yum!
Last, but certainly not least is the sequencer. Very cool little thing. Multiple tracks, realtime transpose, realtime tempo control, tracks can have different lengths, simple to use. More than a scratchpad – it can be your partner in creativity.
So, that’s a little bit more for you to consider.” Link